painting

Jeff Watts’ video about training to be professional artists

Some brilliant observations are in this video.

In another of Jeff Watts’s videos, he mentioned that his wife was worried about publishing the video above because of all of the things he said. And I can see why she had concerns. People don’t want to hear it that this is a long process. Too many of us want instant gratification. We don’t want to hear that some dreams only can be achieved through struggle, time, and sweat equity.

But he’s 100% right.

Some people assume art should be “fun” and will come easily. They don’t realize, it’s not about being “born” talented. He says in the video that the less-talented ones who aren’t lazy will get farther ahead than the naturally more gifted who are lazy.

When I was attending art school, I instinctively was trying to do what he talks about here. Lots of repetition. I couldn’t do it as efficiently as the students are able to do at Watts, alas. But, at least I was going in approximately the right direction.

I devoured every class available that had anything to do with drawing from life, drawing figures, anatomy—anything related to that. It had always been a weak area for me. I’m still not “there” yet with figure drawing, but thankfully I’m farther ahead than I would have been, had I taken the “recommended” amount of semesters in school and left it at that. (I’ve continued to take figure drawing classes—off and on—all through my life. This I certainly don’t regret!)

That’s why many college grads lack traditional art skills—they take the standard foundation classes, but never are encouraged (or realize the need) to continue to the next level in those areas. They are given the impression that those classes are all they need, and when they complete them, they’re “done.” But without the added repetition, they’re not done.

Another thing he talks about is the ability to choose our classes and more importantly, to choose our teachers. I was too poor to get in a degree program, so just took continuing education (at a fancy art school, but still!). Because of this, I got to pick which teachers I wanted to study from, and got to cherry-pick my areas of interest (drawing and anatomy, especially) and for this I am eternally grateful.

I’m currently taking online classes at Watts Atelier because…better late than never. I always knew that I wanted to get better, to learn more, but the opportunity didn’t present itself, until now. I could tell as soon as I saw the artwork on the site and the YouTube videos that they were going in the right direction and I only wish a school like that was available when I was attending college way back when.

“Pickout” Oil Painting Fundamentals, first assignment (portrait)

9×12″ burnt umber “pickout” portrait from the Watts Atelier oil painting course

Oh, I struggled with the drawing on this one. Front view poses are always the worst! I don’t typically do a preliminary drawing when I paint, because with opaque paint I can tweak things as I go along. But this is an exercise with just burnt umber and Gamsol. Basically, transparent. (You can see the pencil lines in some places.) I KNEW I’d get something lopsided (and I did) but drawing in pencil beforehand mitigated the worst of it.

I see all the problems with the painting, but at the same time, a lot was learned from this exercise. And we’re not done yet! We’re going to be doing plenty more burnt umber pickout, and I’m up for it. I integrated some burnt umber pickout in a recent painting (I try to do daily small paintings) and it sold immediately! So Watts Atelier is already starting to pay off!

I’m not a novice at oil painting, but experience has taught me that I DON’T KNOW ANYTHING and boy, has this course confirmed that! So much more to learn! So many more techniques to explore! And let’s not even get into the drawing courses at Watts. So much to unpack there as well.

Oh, my sweet summer child, your MFA doesn’t prove that you’re a good artist

“I speak with authority, I have an MFA!” says someone with low art skills EVERY DARN DAY. I mean they don’t say that word-for-word, but that’s the gist. They proudly mention their degree as “proof” of something, but that’s not how it works. The artist’s actual body of work proves their expertise better than anything else. Mentioning one’s degree shouldn’t even be necessary; the quality of work should be doing all the talking!

I’m in the not-so-unique position of having attended a fancy ooh-la-la art school, while not having a degree in art. In retrospect, it was an advantage, because I got to choose who I wanted as my teacher and what I wanted to study, and fortunately I didn’t waste my time on “fluff” classes, but stuck to the fundamentals.

“Your portfolio is your degree” said one teacher at the fancy school, when I asked him if it really was okay to just get the schooling without the degree. And he has proven to be right.

No one changes their mind and suddenly wants to buy an artist’s work as soon as they find out they have an MFA. If the quality of the work grabs them, they want it. If it sucks, an MFA isn’t going to suddenly make it less sucky.

That’s why ateliers are on the rise. Because the good ones teach you the skills that many of the ooh-la-la colleges won’t, and for a lot less money.

For further reference, please read Noah Bradley’s “Don’t Go to Art School!”